8+ Astonishing End Of The World Movies! You Must Need To Know

The world can end in End Of The World MOVIES. But as we all know, death can strike in a variety of ways. It is possible that an alien or monster invasion will bring about the end of the world, or that nature will turn against humans. Apocalyptic movies show how mankind can persevere in the face of adversity, and what’s more exciting than that?

Fancy an action-packed blockbuster, cult thriller or something completely unexpected? Here are three end-of-the-world movies you can watch on Netflix right now.

1. The matrix

For an image that didn’t make cyberpunk stupid – and this is the best cyberpunk film ever produced – or for making Keanu Reeves a respected figure of American kung fu, or for finally making martial arts films outside made Asia popular, not much can be said.

For many, The Matrix, along with the Wu-Tang Clan, is the image that established the legitimacy of martial arts cinema for a new age, inspiring college classes, heroic quests, and sky-high demands for amazing effects. It’s true that there are better films in the martial arts film canon, but The Matrix still holds a special place in our hearts for its influence on contemporary kinetic filmmaking. Everything else is a pipe dream and a nod to the Wachowskis’ earlier work.

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2nd Avengers: Infinity War

Avengers: Infinity War is grandiose in a sense that’s often aspired to but never really understood when it comes to translating from comic page to big screen. That’s what happens when filmmakers take their source material seriously and avoid unnecessary melodrama while fully enjoying the grandeur, the sheer spectacle of it all.

For every furious fight scene in Avengers: Infinity War – and there are many of them – there are countless interpersonal exchanges and emotional beats that audiences have been trained for through the previous films.

As a result, writers Christopher Markus and Stephen McFeely have plenty of room to riff and explore when the characters first meet or see each other again. Some of the interactions are easily predictable – for example, the immediate conflict of egos between Dr. Strange by Cumberbatch and Iron Man by Downey Jr. – but our familiarity with these characters lends resonance to almost every scene and every line, as the remnants and waves of emotional arcs laid down in the films of the last decade strengthen even the smallest moment .

Avengers Infinity War

3. It comes at night

Within seconds, It Comes at Night follows you. In the very first frames of the film, just as writer/director Trey Edward Shults thinks the rest of his script has erupted, an old man is panting while covered, his skin suppurating and having boils. One thing is clear: he won’t be on this planet much longer. Shults and DP Drew Daniels hold his face in close-up as if rocking him and trying to help him pass.

Every successive detail is revealed with a care that can only be described as a kind of deep, abiding empathy for the characters, all the characters Shults has on screen: first comes the man’s defeated face, his labored breathing, then the muffled ones Voices of reassurance by telling him it’s okay to let go and that he is loved. Then we see that the voices are muffled as they come from gas masks.

Then we watch as the people in gas masks wheel the old man into the woods in a wheelbarrow, where they shoot him in the head and burn his corpse in a hole. It Comes at Night is technically a horror film, even more so than Shults’ debut Krisha, but even Krisha was more of a horror film than most measured family dramas usually are. Perhaps knowing this, Shults considers It Comes at Night an unconventional horror film, but — it’s plainly obvious after just two of these — Shults crafts horror films to the extent that fear permeates everything within them, and every situation is strangled by inevitability .

4. Clover field

As soon as Cloverfield released in 2008, it became clear that the ordinary moviegoer was unprepared for what Matt Reeves dished out. As a streaming original film, the film would be at less risk today than it was a few decades ago when it was first released.

The fact that Cloverfield made it to the big screen at all is truly remarkable considering how drastically it differs graphically from anything its audience has ever seen before. This is a “monster movie,” of course, but it’s one in which we follow everyday people who are in no way responsible or connected to the New York City rampage that the film centers on.

It’s a clever way of conveying a component of the true terror that is present in crisis situations – the very likely truth that none of those present will have any idea what is happening or have any idea how to respond. From a viewer’s perspective, Cloverfield puts his characters in some wacky situations, but without sacrificing the credibility of that point of view.

As a result, no four-star general shows up to explain what’s happening or to empower our heroes to take on the monster. The creature’s origin has not been discovered.

5. Snow Piercer

Bong Joon-ho is one of today’s most exciting filmmakers, and a scene in Snowpiercer brilliantly sums up what makes him so compelling. An epic battle between two armies is presented in slow motion. Characters slice through their enemies like butter as metal hits metal.

I love it because it’s gory and inventive and terrifying and beautiful and visceral. The sci-fi thriller Snowpiercer was made from the French graphic novel by Jacques Lob (Jacques Lob), Benjamin Legrand and Jean-Marc Rochette. The government doused the atmosphere with an untested chemical nearly two decades ago in an unwise attempt to halt global warming, leaving our globe in a desolate, ice-covered wasteland.

Only a handful of people remain in the huge train called “Snowpiercer”, which is powered by a perpetual motion motor. As you might imagine, this situation hasn’t brought out the best in people. Despite the fact that Bong’s somber and terrifying image plays a song we’ve all heard before, he does it with such alacrity and skill that you can’t help but get caught in the rush.

6. Freight

If you’ve always wanted to read about a worldwide zombie outbreak, you’ve come to the right place. Few of these shots are original, a few more are tolerable but uninspiring, and most of them suck, whether on TV or on film.

A collaborative effort by Yolanda Ramke and Ben Howling, Cargo falls somewhere between inspirational and expert, meaning it’s worth checking Netflix if you’re dying to see the convulsing, walking corpses of a family in Australia Outback threat trying to survive in the wilderness.

Freeman plays Andy, a defiant husband to Kay’s (Susie Porter) and doting father to their daughter Rosie; he steers their houseboat to safer shores, or so they hope. A zombie bite from Kay forces her to change her mind and leads her down a path of destruction and suffering. Cargo is a horror film that defies the conventions of the genre for certain fans. This is not a particularly frightening film.

There are no real jump scares here; instead there is an almost overwhelming sense of melancholy. If that’s not enough, you can at least enjoy the stunning visual effects. Zombie victims of a terrible disease appear in this scene. Their eyes and mouths are drenched in a waxy, carious liquid that’s a far cry from the usual squirts. In any case, cargo is never half as stomach-churning as it is heart-wrenching.

7. Cravings

It’s possible that genre nerds overlooked Ravenous because of the “indie zombie drama” subgenre that includes films like The Battery, or because it’s staged in French instead of English. Ravenous won the Best Canadian Film award at the Toronto International Film Festival.

A cleverly constructed little zombie drama thriller, with strong performances from unknown actors and an intriguing portrayal of the aftermath of zombie coloring. This is a must have for zombie fans around the world. Sometimes the infected here seem like typical Romero ghouls, but they are also a little bit more: lost souls who have clung to their own primitive culture.

However, these features of the zombie pandemic only add to the tremendous feelings of loss and misery that prevail in Ravenous.

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8. The girl with all the presents

With its carnivorous premise hidden for dozens of pages, MR Carey’s novel The Girl With All the Presents plays coyly with its zombie case. The film adaptation, which premiered in the United States in February after premiering in the United Kingdom last year, is coming out with panache. When it comes to zombie movies, it’s safe to say that the genre still has a lot of life in it.

However, viewers will find that The Girl With All the Gifts is more concerned with the moral boundaries that survivors in the military and scientific communities are willing to cross. Directed by Colm McCarthy, who co-wrote the screenplay with Carey, the film doesn’t skimp on swarming devastation. The most chilling tension, however, comes from an uncanny, single-minded Glenn Close as a scientist with few scruples.

Melanie, the most self-controlled “hungry” zombie, is played by young actress Sennia Nanua, whose heroic performance elevates “The Girl With All the Gifts” to the status of a true heir to George Romero’s violent “Day of the Dead.” .

9. Eruption

1995’s Outbreak is now being touted as worryingly prescient in the wake of the global outbreak of the coronavirus, despite being a fairly traditional disaster film like Dante’s Peak or Armageddon at the time.

Based on real-life heroes, the film features a group of virologists and epidemiologists, a role that is rarely addressed or recognized in Hollywood films, despite the terrific supporting cast that includes many solid and dependable A-list actors. However, the depiction of an actual epidemic “outbreak” in this film is nothing more than a piece of Hollywood fluff, recreating both the ways diseases spread and how they are managed.

The universal danger of an enemy lurking in the shadows is well conveyed in Outbreak, which is often a riveting thriller. Viewers fear that their heroes will gradually surrender to a monster that simply cannot be fought, like the best parts of Chernobyl.

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